Articles in this issue

• The Pivotal Position of Henry V in the Rise and Fall of Shakespeare's Prose
  Robert Crosman, 2.1:1-15.

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• Multiplicity of Meaning in the Last Moments of Hamlet
  John Russell Brown, 2.1:16-33.

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• From Etymology to Paronomasia: Wallace Stevens, Elizabeth Bishop, and Others
  Eleanor Cook, 2.1:34-51.

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• A Complementary Response to Anthony Brian Taylor, "Arthur Golding and the Elizabethan Progress of Actaeon's Dogs"
  Charles Martindale and Sarah Annes Brown, 2.1:58-68.

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• Actaeon's Dogs in Ovid's Metamorphoses, and the Wolf Pack in Ysengrimus
  F. J. Sypher, 2.1:52-57.

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• A Comment on Roy Battenhouse, "Religion in King John: Shakespeare's View"
  Christopher Z. Hobson, 2.1:69-75.

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• A Response to Matthias Bauer, "Count Malvolio, Machevill and Vice"
  J. J. M. Tobin, 2.1:76-81.

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• Towards Tolerant Pluralism in Renaissance Drama Studies (An Answer to William W. E. Slights)
  Brownell Salomon, 2.1:82-85.

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• The Malcontent Redux: A Response to Brownell Salomon and William W. E. Slights
  Edmund M. Taft, 2.1:86-92.

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• Puzzling Marston and Homer (A Response to Brownell Salomon and William W. E. Slights)
  Joseph A. Porter, 2.1:93-96.

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• A Letter in Reply to Joseph A. Porter
  Brownell Salomon, 2.1:97.

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• One Constructed Reading Self after Another (A Response to Thomas F. Merrill)
  Harold R. Swardson, 2.1:98-102.

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• Inventional Mnemonics and the Ornaments of Style: The Case of Etymology
  Mary Carruthers, 2.1:103-14.

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• Paronomastics: The Name of the Poet from Shakespeare and Donne to Glück and Morgan
  William Harmon, 2.2:115-25.

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• "Single Nature's Double Name": Some Comments on The Phoenix and Turtle
  Christiane Gillham, 2.2:126-36.

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• Reader Participation and Rationalism in Fielding's Tom Jones
  Lothar Černý, 2.2:137-62.

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• A Response to F.J. Sypher
  Anthony Brian Taylor, 2.2:163-65.

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• Reflections in Response to Sandra Billington, Mock Kings in Medieval Society and Renaissance Drama
  Clifford Davidson, 2.2:166-71.

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• On King John: An Answer to Billington and Hobson
  Roy Battenhouse, 2.2:172-81.

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• Hamlet's Last Moments: A Note on John Russell Brown
  Dieter Mehl, 2.2:182-85.

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• The Rest Is Not Silence: A Reply to John Russell Brown
  Maurice Charney, 2.2:186-89.

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• A Constructed Reading Self Replies
  Thomas F. Merrill, 2.2:190-94.

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• A Response to Alan Rosen, "Plague, Fire, and Typology in Defoe's A Journal of the Plague Year"
  Josef Haslag, 2.2:195-200.

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• In Reply to Eleanor Cook, "From Etymology to Paronomasia"
  Anthony Hecht, 2.2:201-04.

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• Lively, Dynamic, but Hardly a Thing of "rhythmic beauty": Arthur Golding's Fourteeners
  Anthony Brian Taylor, 2.3:205-22.

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• Paronomasia in the Quip Modest: From Sidney to Herbert
  Judith Dundas, 2.3:223-33.

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• The Seasons of the Globe: Two New Studies of Elizabethan Drama and Festival
  Thomas Pettitt, 2.3:234-56.

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• A Comment on Robert Crosman, "The Pivotal Position of Henry V in the Rise and Fall of Shakespeare's Prose"
  Stanley Hussey, 2.3:257-62.

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• Hal, Falstaff, Henry V, and Prose
  Jonas Barish, 2.3:263-68.

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• Maria's Riddle
  Alastair Fowler, 2.3:269-70.

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• A Note in Reply to Alastair Fowler
  Matthias Bauer, 2.3:271-74.

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• Connotations of Hamlet's Final Silence
  John Russell Brown, 2.3:275-86.

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• A Comment on the Naming of Characters in The Winter's Tale
  Kenneth Muir, 2.3:287-90.

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• An Answer to Kenneth Muir
  Inge Leimberg, 2.3:291-94.

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• From Paronomasia to Politics in the Poetry of Stevens and Bishop: A Response to Eleanor Cook
  Jacqueline Vaught Brogan, 2.3:295-304.

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• In the Line of Wit: A Response to Eleanor Cook
  Anca Rosu, 2.3:305-312.

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