Articles in this issue

• What is the Dream in A Midsummer Night's Dream?
  Robert Crosman, 7.1:1-17.

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• The Opening of All's Well That Ends Well
  Richard Levin, 7.1:18-32.

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• Getting A Head In A Warrior Culture: Shakespeare's Macbeth and the Problem of Identity
  Lynne M. Robertson, 7.1:33-43.

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• Of Mountains and Men: Vision and Memory in Wordsworth and Petrarch
  Åke Bergvall, 7.1:44-57.

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• Science and the Re-representation of African Identity in Major Gentl and the Achimota Wars
  Francis Ngaboh-Smart, 7.1:57-79.

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• Readers, Auditors, and Interpretation
  Frances M. Malpezzi, 7.1:80-86.

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• Exonerating Lucius in Titus Andronicus: A Response to Anthony Brian Taylor
  Maurice Hunt, 7.1:87-93.

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• "Lucius, the Severely Flawed Redeemer of Titus Andronicus": A Reply
  Philip C. Kolin, 7.1:94-96.

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• Lucius, Still Severely Flawed: A Response to Jonathan Bate, Maurice Hunt, and Philip Kolin
  Anthony Brian Taylor, 7.1:97-103.

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• Lisa Hopkins on John Ford's The Broken Heart: A Letter
  Verna A. Foster and Stephen Foster, 7.1:104.

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• The Incorporation of Identities in Perkin Warbeck: A Response to Lisa Hopkins
  Willy Maley, 7.1:105-15.

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• Modernism Revisited: Willi Erzgräber's Studies in Modern English and Anglo-Irish Literature
  Bernfried Nugel, 7.1:116-27.

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• Some Comments on "T. H. White, Pacifism and Violence"
  Elizabeth Brewer, 7.1:128-34.

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• More Than Just a Fashion: T. H. White's Use of Dress as a Means of Characterization
  Christiane Berger, 7.1:135-40.

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• Editor's Preface
  Inge Leimberg, 7.2:141-42.

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• Revisiting Halberstadt, July 1997
  John Russell Brown, 7.2:143-45.

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• Colin Clout's Homecoming: The Imaginative Travels of Edmund Spenser
  Donald Cheney, 7.2:146-58.

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• Old England, Nostalgia, and the "Warwickshire" of Shakespeare's Mind
  Maurice Hunt, 7.2:159-80.

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• Wordsworth's "Tintern Abbey": From Self-Consciousness to Sympathy
  Leona Toker, 7.2:181-93.

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• A Place Revisited: The House at The Jolly Corner
  Ursula Brumm, 7.2:194-202.

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• The Harrowing of Malvolio: The Theological Background of Twelfth Night, Act 4, Scene 2
  Paul Dean, 7.2:203-14.

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• All's Well That Ends Well: On Seeing and Hearing the Opening Scene
  J. L. Styan, 7.2:215-18.

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• A Letter in Reply to Marvin Spevack, "The End of Editing Shakespeare"
  Nicholas Kind, 7.2:219.

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• Deeper into the Bakhtinian Labyrinth: A Response to Rocco Coronato, "Carnival Vindicated to Himself?"
  Yumiko Yamada, 7.2:220-39.

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• Carnivalizing Jonson: A Reply to Rocco Coronato
  Bruce Boehrer, 7.2:240-45.

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• The Search for F. P. Greve/Grove: From First Doubts to a Greve Biography
  Axel Knönagel, 7.2:246-53.

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• Dickens' A Christmas Carol: Revisiting and Reformation
  Lothar Černý, 7.3:255-72.

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• The Sepulchral City Revisited: Joseph Conrad, Heart of Darkness
  Manfred Beyer, 7.3:273-89.

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• Revisitings and Repetitions in Beckett's Later Works¹⁾
  John Brown Russell, 7.3:290-305.

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• Nightmare Visions of Eden: Recollections of Home in Joyce Carol Oates's "By the River"
  Bernd Engler, 7.3:306-19.

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• Paradise Remembered in Some Poems and Paintings
  John P. Hermann, 7.3:320-31.

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• Patterns of Recollections in Montaigne and Melville
  William E. Engel, 7.3:332-354.

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• Shakespeare's "Removed Mysteries"
  Chris Hassel, Jr., 7.3:355-67.

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• A "Grotesque" Reply to Y. Yamada and B. Boehrer
  Rocco Coronato, 7.3:368-71.

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• Trading Meanings: The Breath of Music in Toni Morrison's Jazz
  Nicholas F. Pici, 7.3:372-98.

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• Caryl Churchill's Top Girls and Timberlake Wertenbaker's Our Country's Good as Contributions to a Definition of Culture
  Christiane Bimberg, 7.3:399-416.

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• Convicts, Characters, and Conventions of Acting in Timberlake Wertenbaker's Our Country's Good
  Verna A. Foster, 7.3:417-32.

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