November 2022 – Elizabeth von Arnim’s The Enchanted April (1922)
by Francesca Pierini The notion of Italy as a country relatively free of class constraints and stark social divisions – a space appropriate for returning to unaffected behaviour, sensual openness, and existential re-invention – is part of a composite constellation of counter-values to British standards and ideals that have been most diversely imagined and articulated … Continue reading November 2022 – Elizabeth von Arnim’s The Enchanted April (1922)
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