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application/pdfConnotations 15.1-3 (2005/2006)Eds. Inge Leimberg, Matthias Bauer
Acrobat Distiller 6.0.1 (Windows); modified using iTextSharp 4.1.6 by 1T3XT- Pivots; Reversals; and Things in the Aesthetic Economy of Howells’s The Rise of Silas Lapham
Neil Browne
- Unscrambling Surprises
Arthur F. Kinney
- Vladimir Nabokov and the Surprise of Poetry: Reading the Critical Reception of Nabokov’s Poetry and “The Poem” and “Restoration”
Paul D. Morris
- Perversions and Reversals of Childhood and Old Age in J. M. Coetzee’s Age of Iron
Christiane Bimberg
- On Cheney on Spenser’s Ariosto
Lawrence F. Rhu
- Shakespeare’s Country Opposition: Titus Andronicus in the Early Eighteenth Century
Andreas K. E. Mueller
- The Tempest in the Trivium
Dan Harder
- P. G. Wodehouse Linguist?
Barbara C. Bowen
- The American Carnival of The Great Gatsby
Philip McGowan
- Bakhtin and History: A Response to Winifred Bevilacqua
Michael Tratner
- A Modest Letter in Response to The Great Gatsby; Bakhtin’s Carnival; and Professor Bevilacqua
Tony Magistrale
- Waugh’s Conrad and Victorian Gothic: A Reply to Martin Stannard and John Howard Wilson
Edward Lobb
- How to Listen to Mamet: A Response to Maurice Charney
Douglas Bruster
- Stylistic Self-Consciousness Versus Parody in David Mamet: A Response to Maurice Charney
Verna A. Foster
- Mamet’s Self-Parody: A Response to Maurice Charney
David Mason
- “Anti-novel” as Ethics: Lindsey Collen’s The Rape of Sita
Eileen Williams-Wanquet
- “OOOO that Eliot-Joycean Rag”: A Fantasia upon Reading English Music
Susan Ang
2018-04-25T11:27:41+02:00Adobe Acrobat 6.02007-08-22T17:29:09+02:00
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