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Dury – A Footnote to Lesley Graham “‘Scott’s Voyage in the Lighthouse Yacht’ and Intertextual Transmission”

A Footnote to Lesley Graham “‘Scott’s Voyage in the Lighthouse Yacht’ and Intertextual Transmission” Richard Dury Published in Connotations Vol. 34 (2025) Abstract This note offers further examples of Stevenson’s awareness of disappearing Scottish culture and his desire to record examples of it in another remote area of the country. […]

For a More Comprehensive Approach: A Response to Thomas Kullmann’s “Anthologizing Shakespeare’s Sonnets”

For a More Comprehensive Approach: A Response to Thomas Kullmann’s “Anthologizing Shakespeare’s Sonnets” Roland Weidle Published in Connotations Vol. 34 (2025) Abstract Responding to Thomas Kullmann’s model of communicative modes to explain the popularity of why some of Shakespeare’s sonnets have been preferred over others in anthologies, this article proposes […]

From Illustration to Meme: The Pictorial Representation of Duality in Editions of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde

From Illustration to Meme: The Pictorial Representation of Duality in Editions of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde Wolfgang G. Müller Published in Connotations Vol. 34 (2025) Abstract This essay investigates illustrations of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde (1886), […]

Liminality, Art, and Murder in Paula Hawkins’s The Blue Hour

Liminality, Art, and Murder in Paula Hawkins’s The Blue Hour Robert Lance Snyder Published in Connotations Vol. 34 (2025) Abstract Best known for her highly successful first novel The Girl on the Train (2015), Paula Hawkins returns in The Blue Hour (2024), after a Gothic novella titled Blind Spot (2022), […]

Othello in the South Seas: Robert Louis Stevenson’s “The Beach of Falesá” as Shakespearean Rewriting

Othello in the South Seas: Robert Louis Stevenson’s “The Beach of Falesá” as Shakespearean Rewriting Lucio De Capitani Published in Connotations Vol. 34 (2025) Abstract This article reads Robert Louis Stevenson’s Pacific novella “The Beach of Falesá” (1892) as a rewriting of Shakespeare’s Othello⁠. There are, in fact, several clues […]

Linda Simonis – Stevenson and Traditions of Satire

Stevenson and Traditions of Satire Linda Simonis Published in Connotations Vol. 34 (2025) Abstract Stevenson is not usually considered a satirical writer. The following article seeks to explore this hitherto neglected aspect of Stevenson’s work. By drawing on two short stories which remained unpublished during his lifetime, “Diogenes in London” […]