For a More Comprehensive Approach: A Response to Thomas Kullmann’s “Anthologizing Shakespeare’s Sonnets” Roland Weidle Published in Connotations Vol. 34 (2025) Abstract Responding to Thomas Kullmann’s model of communicative modes to explain the popularity of why some of Shakespeare’s sonnets have been preferred over others in anthologies, this article proposes […]
Approaching Canonicity through a Digital Inventory of Exempla: A Response to William E. Engel Grant Williams Published in Connotations Vol. 34 (2025) Abstract My response offers an alternative to Engel’s metacognitive view by exploring how the rhetorical device of the exemplum illuminates the problem of canonicity. The pitfall of canonicity […]
From Illustration to Meme: The Pictorial Representation of Duality in Editions of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde Wolfgang G. Müller Published in Connotations Vol. 34 (2025) Abstract This essay investigates illustrations of Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde (1886), […]
Liminality, Art, and Murder in Paula Hawkins’s The Blue Hour Robert Lance Snyder Published in Connotations Vol. 34 (2025) Abstract Best known for her highly successful first novel The Girl on the Train (2015), Paula Hawkins returns in The Blue Hour (2024), after a Gothic novella titled Blind Spot (2022), […]
Othello in the South Seas: Robert Louis Stevenson’s “The Beach of Falesá” as Shakespearean Rewriting Lucio De Capitani Published in Connotations Vol. 34 (2025) Abstract This article reads Robert Louis Stevenson’s Pacific novella “The Beach of Falesá” (1892) as a rewriting of Shakespeare’s Othello. There are, in fact, several clues […]
One More Time: Stevenson’s “Across the Plains” and the Genre of Trans-American Travel Caroline McCracken-Flesher Published in Connotations Vol. 34 (2025) Abstract In 1879 Robert Louis Stevenson set out from Scotland and then travelled across America on the emigrant train. The narrative of his sea voyage troubled the sensibilities of […]
Stevenson and Traditions of Satire Linda Simonis Published in Connotations Vol. 34 (2025) Abstract Stevenson is not usually considered a satirical writer. The following article seeks to explore this hitherto neglected aspect of Stevenson’s work. By drawing on two short stories which remained unpublished during his lifetime, “Diogenes in London” […]
Courting the Bourgeois: Stevenson, Baudelaire, and Writing as a Profession Katherine Ashley Published in Connotations Vol. 34 (2025) Abstract Stevenson’s sedulous aping of Charles Baudelaire, the painter of modern life and godfather of French style, is most evident in the prose poems that he wrote in 1875 after reading Baudelaire’s […]
“Scott’s Voyage in the Lighthouse Yacht” and Intertextual Transmission Lesley Graham Published in Connotations Vol. 34 (2025) Abstract This article takes as its point of departure a short note by Robert Louis Stevenson written as an introduction to his grandfather Robert Stevenson’s account of a trip taken in 1814 to […]
Chance, Choice, Evolutionary Canonicity, and the Anthologist’s Dilemma: A Response to William E. Engel1 Barbara M. Benedict Published in Connotations Vol. 34 (2025) Abstract This response takes issue with Professor Engel’s contention that literary anthologists choose texts that perforce provide readers with a literary canon. By examining the British literary […]
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