“I was back in a dark wood”: Don Paterson’s “The Forest of the Suicides” Elisa Segnini and Elizabeth Jones Published in Connotations Vol. 24.1 (2014/15) Abstract Through an analysis of Don Paterson’s “The Forest of the Suicides,” the article examines creative translation as a process that sheds light on the […]
Playing with the Ready-Made: Graham Swift’s The Light of Day – A Response to Andrew James Catherine Pesso-Miquel Published in Connotations Vol. 24.1 (2014/15) Abstract In her response to Andrew James’s article on the use of clichés in Graham Swift’s The Light of Day (published in Connotations 22.2), Catherine Pesso-Miquel […]
Apropos of Geoffrey Household’s Watcher in the Shadows and Dance of the Dwarfs: An Answer to David Seed Robert Lance Snyder Published in Connotations Vol. 24.1 (2014/15) Abstract In Connotations 24.1, Robert Lance Snyder answers to David Seed’s critique of his article on Geoffrey Household’s spy novels Watcher in the […]
“Never Built at All, and Therefore Built Forever”: Camelot and the World of P. G. Wodehouse Jay Ruud Published in Connotations Vol. 24.1 (2014/15) Abstract P.G. Wodehouse was one of the most popular and prolific fiction writers of the 20th century, but is often relegated by critics to the edges […]
Milton’s Astronomy and the Seasons of Paradise: Queries Motivated by Alastair Fowler’s Views55) Horace Jeffrey Hodges Published in Connotations Vol. 24.1 (2014/15) Abstract In his annotated edition of Paradise Lost (1998), Alastair Fowler makes two strong claims concerning the astronomy of Milton’s prelapsarian universe: 1) the plane of the celestial […]
Mucedorus and Counsel from Q1 to Q3 Kreg Segall Published in Connotations Vol. 24.1 (2014/15) Abstract In 1598, the first quarto (Q1) of the anonymous play Mucedorus was printed; the play would go on to tremendous success, going through more than fifteen editions. The most significant revision was the 1610 […]
“A Chorus Line”: Margaret Atwood’s Penelopiad at the Crossroads of Narrative, Poetic and Dramatic Genres Susanne Jung Published in Connotations Vol. 24.1 (2014/15) Abstract In her novel The Penelopiad, Margaret Atwood artfully employs a mix of narrative, poetic, and dramatic styles. While the main narrative – a retelling of Homer’s […]
Adopting Styles, Inserting Selves: Nabokov’s Pale Fire Maurice Charney Published in Connotations Vol. 24.1 (2014/15) Abstract Nabokov’s novel Pale Fire (1962) is titled after a passage in Shakespeare’s late play Timon of Athens. Nabokov, known for his avid interest in idiosyncratic language, imitates the play’s style in this novel and […]
A Note on Sir Philip Sidney’s Art of Blending Arthur F. Kinney Published in Connotations Vol. 24.1 (2014/15) Abstract This short note takes up the line of argument by critics such as William J. Ringler and Stephen Greenblatt that Sir Philip Sidney’s Arcadia is a blend of the heroic and […]
An Order Honored in the Breach: An Answer to Dennis Pahl Hannes Bergthaller Published in Connotations Vol. 24.1 (2014/15) Abstract Hannes Bergthaller answers to the reactions on his article “Poe’s Economies and ‘The Fall of the House of Usher’” (published in Connotations 22.1). I have read both responses to my […]
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.