Hal, Falstaff, Henry V, and Prose Jonas Barish Published in Connotations Vol. 2.3 (1992) Abstract In his response to Robert Crosman, Jonas Barish offers further ways to explain use of prose by Shakespeare’s Henry V. His argument for a methodological flexibility in the analysis of the play’s prose is that […]
A Comment on Robert Crosman, “The Pivotal Position of Henry V in the Rise and Fall of Shakespeare’s Prose” Stanley Hussey Published in Connotations Vol. 2.3 (1992) Abstract Robert Crosman’s article does well to remind us of the importance of Shakespeare’s prose, in the history plays as well as in […]
The Seasons of the Globe: Two New Studies of Elizabethan Drama and Festival Thomas Pettitt Published in Connotations Vol. 2.3 (1992) Abstract Thomas Pettitt’s article is a topical, comparative double-review concerned with the Elizabethan drama in the light of the festive seasons and theatrical festivals. He reads the topic with […]
Paronomasia in the Quip Modest: From Sidney to Herbert Judith Dundas Published in Connotations Vol. 2.3 (1992) Abstract Judith Dundas investigates the use of the quip modest in works by Sir Philip Sidney and George Herbert. There is a form of wit that explains itself quite readily to the modern […]
Lively, Dynamic, but Hardly a Thing of “rhythmic beauty”: Arthur Golding’s Fourteeners Anthony Brian Taylor Published in Connotations Vol. 2.3 (1992) Abstract In their response to “Arthur Golding and the Elizabethan Progress of Actaeon’s Dogs,” Charles Martindale and Sarah Annes Brown provide a useful perspective on Shakespeare’s use of Ovid, […]
In Reply to Eleanor Cook, “From Etymology to Paronomasia” Anthony Hecht Published in Connotations Vol. 2.2 (1992) Abstract In response to Eleanor Cook’s article on paronomasia in Elizabeth Bishop and Wallace Stevens, Anthony Hecht offers further examples of paronomasia, and especially puns. Eleanor Cook’s fine essay on paronomasia pleased me […]
A Response to Alan Rosen, “Plague, Fire, and Typology in Defoe’s A Journal of the Plague Year” Josef Haslag Published in Connotations Vol. 2.2 (1992) Abstract In a debate on Daniel Defoe’s A Journal of the Plague Year, Joseph Haslag addresses Alan Rosen’s argument concerned with the Great Fire of […]
A Constructed Reading Self Replies Thomas F. Merrill Published in Connotations Vol. 2.2 (1992) Abstract Thomas F. Merrill responds to Harold R. Swardson’s critique of his article “The Language of Hell.” In his response to my essay concerning religious style in Paradise Lost, Harold Swardson clarifies our parting of the […]
The Rest Is Not Silence: A Reply to John Russell Brown Maurice Charney Published in Connotations Vol. 2.2 (1992) Abstract Maurice Charney offers his critique of John Russell Brown’s quintuple reading of “the Last Moments of Hamlet.” It is not surprising that John Russell Brown’s vigorous, witty, and energetic paper […]
Hamlet’s Last Moments: A Note on John Russell Brown Dieter Mehl Published in Connotations Vol. 2.2 (1992) Abstract Dieter Mehl tests John Russell Brown’s arguments concerning Hamlet’s last moments (from his article “Multiplicity of Meaning in the Last Moments of Hamlet,” DOI: 10.25623/conn002.1-brown-1) by applying a theatrical-performative reading to them. […]
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