Articles in this issue

• Spenser's Monsters: A Response to Maik Goth and to John Watkins
  Maurice Hunt, and [else], Vol. 21: 1-7

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• Card and Courtship Plays at Hampton Court Palace: The Rape of the Lock and the Origins of Game Theory. A Response to Sean R. Silver
  Oliver R. Baker, and [else], Vol. 21: 8-11

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• Close Reading vs. Accretions of Dubious Scholarship: A Question of Competence. A Response to Kathryn Walls
  Oliver R. Baker, and [else], Vol. 21: 12-19

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• Sympathy, Superstition, and Narrative Form; Or, Why is Silas Marner so Short? A Response to John Mazaheri
  Anna Neill, and [else], Vol. 21: 20-27

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• Writings Backwards—Writing Forwards: A Response to Philipp Erchinger
  Beatrix Hesse, and [else], Vol. 21: 28-36

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• The Woman in White and the Secrets of the Sensation Novel
  Lynn Pykett, and [else], Vol. 21: 37-45

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• Thickening the Description: A Response to John R. Reed and Efraim Sicher¹⁾
  Leona Toker, and [else], Vol. 21: 46-54

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• Hopkins and Home²⁾
  Adrian Grafe, and [else], Vol. 21: 55-71

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• Turning the Corner of Interpretation: A Response to Elena Anastasaki
  Shalyn Claggett, and [else], Vol. 21: 72-85

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• Reconsidering Orton and the Critics: The Good and Faithful Servant
  Yael Zarhy-Levo, and [else], Vol. 21: 86-100

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• Modernist Elements in Jane Hirshfield's Voice and Zen Meditation
  Ling Chung, and [else], Vol. 21: 101-24

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• Modernist Elements in Jane Hirshfield's Voice and Zen Meditation: A Letter in Response to Ling Chung
  Jane Hirshfield, and [else], Vol. 21: 125-27

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• The Ethics of Otherness in Ian McEwan's Saturday
  Tammy Amiel-Houser, and [else], Vol. 21: 128-57

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