Archives: Articles


Sanjay Sircar – My Career Goes Bung: Genre−Parody, Australianness and Anglophilia

My Career Goes Bung: Genre−Parody, Australianness and Anglophilia Sanjay Sircar Published in Connotations Vol. 8.2 (1998/99) Miles Franklin (1879−1954) entered the Australian canon with her first novel, the realist, nationalist, feminist−”revisioning,” autobiographically−based first−person My Brilliant Career (Career; 1901, filmed 1979). She followed it with neglected experimental metafictive novels whose heroines […]

Clay Daniel – Crucifixion Imagery in Paradise Lost

Crucifixion Imagery in Paradise Lost Clay Daniel Published in Connotations Vol. 8.2 (1998/99) Milton in Paradise Lost has appeared to avoid the subject of the Crucifixion because he includes only a brief, orthodox account of the “cursed death … shameful and accurst” of Jesus (12.406, 413).5) Michael even metaphorically reassigns […]

Derek Wright – Re-representing African Identity: A Response

Re-representing African Identity: A Response Derek Wright Published in Connotations Vol. 8.1 (1998/99) Francis Ngaboh−Smart’s essay “Science and the Re−representation of African Identity in Major Gentl and the Achimota Wars” explores the effect of the electronic revolution on the African literary imagination through a searching analysis of Kojo Laing’s 1992 […]

Daniel F. Hurley – Joyce Carol Oates’s “By the River”

Joyce Carol Oates’s “By the River” Daniel F. Hurley Published in Connotations Vol. 8.1 (1998/99) Many of the enduring stories in western culture are etiological stories, stories about the beginnings of things. The Genesis story is such a story, purporting to explain, among other mysteries, the origins of death, sex, […]

James Soderholm – Surrender Dorothy: A Reply to Leona Toker

Surrender Dorothy: A Reply to Leona Toker James Soderholm Published in Connotations Vol. 8.1 (1998/99) Bewitching as the hermeneutics of suspicion has been, it’s unusual to see a literary critic resist its (highly marketable) charms and instead trust her ears, eyes, hands—her feel for the texture of nuance—and more generally […]