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Anthony Brian Taylor – A Response to F.J. Sypher

A Response to F.J. Sypher Anthony Brian Taylor Published in Connotations Vol. 2.2 (1992) In the course of his article, F. J. Sypher makes incidental reference to my interpretation of several of Golding’s names for Ovid’s dogs, and raises questions which require attention. He queries “Ladon” challenging the explanation that, […]

Lothar Černý – Reader Participation and Rationalism in Fielding’s Tom Jones

Reader Participation and Rationalism in Fielding’s Tom Jones Lothar Černý Published in Connotations Vol. 2.2 (1992) Abstract Lothar Černý’s article offers a critique of Wolfgang Iser, who developing his theory of reader participation and reader response, chose Fielding’s Tom Jones and Joseph Andrews as his starting point. Fielding’s novels, therefore, […]

Brownell Salomon – A Letter in Reply to Joseph A. Porter

A Letter in Reply to Joseph A. Porter Brownell Salomon Published in Connotations Vol. 2.1 (1992) Abstract A response to Joseph A. Porter’s “Puzzling Marston and Homer (A Response to Brownell Salomon and William W. E. Slights).” To the Editor: Joseph A. Porter’s “response” to the Malcontent debate is directed […]

Joseph A. Porter – Puzzling Marston and Homer (A Response to Brownell Salomon and William W. E. Slights)

Puzzling Marston and Homer (A Response to Brownell Salomon and William W. E. Slights) Joseph A. Porter Published in Connotations Vol. 2.1 (1992) Abstract This is an entry in the debate started by Brownell Salomon’s essay “The ‘Doubleness’ of The Malcontent and Fairy-tale Form.” William W. E. Slights, “Fairy−tales, Form, […]

Brownell Salomon – Towards Tolerant Pluralism in Renaissance Drama Studies (An Answer to William W. E. Slights)

Towards Tolerant Pluralism in Renaissance Drama Studies (An Answer to William W. E. Slights) Brownell Salomon Published in Connotations Vol. 2.1 (1992) Abstract This is a response to William W. E. Slights’s “Fairy-tales, Form, and the Future of Marston Studies.” William W. E. Slights’ cross−grained reading of the central point […]