Articles in this issue

• An Introduction to Metagenre with a Postscript on the Journey from Comedy to Tragedy in E. M. Forster's Where Angels Fear to Tread
  Burkhard Niederhoff, 31:1-32.

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• Parodies of Six-Word Stories: A Comic Literary Metagenre¹⁾
  David Fishelov, 31:33-55.

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• Meta-Epic Reflection in Twenty-First-Century Rewritings of Homer, or: The Meta-Epic Novel
  Lena Linne, 31:56-84.

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• The Woman Taken in Adultery: A Literary Perspective on Christ’s Writing in John 8:1-12
  Alan Rudrum and Julia Schatz, 31:85-99.

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• Romance and Metagenre: A Response to Burkhard Niederhoff
  Francesca Pierini, 31:100-111.

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• Forster’s Self-Ironizing in “The Road from Colonus”: A Response to Laura M. White²⁾
  Shenyou Mei, 31:112-125.

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• Blaming Helen in Twenty-First Century Myth Writing: A Response to Lena Linne
  Shelby Judge, 31:126-132.

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• "That we shall die we know": Historical Fetters and Creative Liberation in William Shakespeare's Julius Caesar³⁾
  Angelika Zirker and Susanne Riecker, 31:133-159.

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• Tragedy and Trauerspiel: John Webster’s The Duchess of Malfi⁴⁾
  Anny Crunelle-Vanrigh, 31:160-188.

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