Articles in this issue

• Crucifixion Imagery in Paradise Lost
  Clay Daniel, and [else], Vol. 8: 153-74

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• My Career Goes Bung: Genre−Parody, Australianness and Anglophilia
  Sanjay Sircar, and [else], Vol. 8: 175-200

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• Civil Journey: Mediating the Personal and the Political in the Essays of Storm Jameson
  Wendy Gan, and [else], Vol. 8: 201-16

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• Impertinent Matters: Lancelot Gobbo and the Fortunes of Performance Criticism
  Alan Rosen, and [else], Vol. 8: 217-31

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• Are Jonson and Rabelais Elegant or Grotesque? A Response to Rocco Coronato
  Yumiko Yamada, and [else], Vol. 8: 232-41

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• T. S. Eliot's Sense of Place in Four Quartets
  Eleanor Cook, and [else], Vol. 8: 242-47

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• A Note on Music and Form in T. S. Eliot's Four Quartets
  R. J. Schoeck, and [else], Vol. 8: 248

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• The Uses of History in Contemporary Feminist Drama: A Response to Christiane Bimberg
  Verna A. Foster, and [else], Vol. 8: 249-57

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• Reply to Verna A. Foster
  Christiane Bimberg, and [else], Vol. 8: 258-60

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• Response to "Gary Snyder, Dôgen, and 'The Canyon Wren'"
  Rajeev S. Patke, and [else], Vol. 8: 261-67

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