A very Antony: Patterns of Antonomasia in Shakespeare1) Donald Cheney Published in Connotations Vol. 4.1-2 (1994/95) When Dr Johnson complained that Shakespeare’s punning was “the fatal Cleopatra for which he lost the world and was content to lose it,” he at once expressed his own century’s reaction against paronomasia and […]
The False Domesticity of A Woman Killed with Kindness Lisa Hopkins Published in Connotations Vol. 4.1 (1994/95) One of the most memorable moments in Thomas Heywood’s play A Woman Killed with Kindness comes in scene xiii, just before the climactic moment when the trusting Master Frankford will discover his wife […]
“Strange Meeting” Yet Again Kenneth Muir Published in Connotations Vol. 3.3 (1993/94) Jon Silkin, whose work as poet, editor and critic I have long admired and to whose journal, Stand, I have subscribed since its inception, deserves our gratitude for calling our attention to other poets of the First World […]
“But the poet … never affirmeth”: A Reply to Bernard Harrison Lothar Černý Published in Connotations Vol. 3.3 (1993/94) Professor Harrison has honoured me with a very long and substantial reply. Discussing my article and the responses of Professors Hammond and Hudson conjointly, he has written much more than a […]
Romance and the Didactic in the Eighteenth-Century Novel: An Elaboration upon Andrew Varney Brean S. Hammond Published in Connotations Vol. 3.3 (1993/94) What I have to offer on Andrew Varney’ s stimulating piece is a widow’s mite rather than a more thrilling Titanic struggle-a matter of emphasis and nuance. On […]
Shakespeare, Burgess, and Psalm 46: A Note in Reply to Paul Franssen William Harmon Published in Connotations Vol. 3.3 (1993/94) I figure that I have had my turn at bat, and, if others want to comment on what I say, then they can have their turns. Once one engages in […]
Chivalry and Courtesy: A Comment on Richard McCoy, The Rites of Knighthood Thomas Kullmann Published in Connotations Vol. 3.3 (1993/94) Where rites and ceremonies of the Elizabethan age are concerned, which are given expression in literary texts, inductive analyses of historical and phenomenological data (now frequently going by the name […]
Antidrama—Metadrama—Artistic Program? Arthur Kopit’s The Hero in Context Bernd Engler Published in Connotations Vol. 3.3 (1993/94) In 1957, Arthur Kopit, then a student of engineering at Harvard University had his first play, the one−act drama The Questioning of Nick, performed at the stage of the Dunster House Drama Workshop in […]
Faulkner and Racism Arthur F. Kinney Published in Connotations Vol. 3.3 (1993/94) The single most indelible fact about William Faulkner’s work is his persistent concentration on observing and recording the culture and country in which he was born; what is most striking now, as we look back on his legacy […]
Was The Raigne of King Edward III a Compliment to Lord Hunsdon? Roger Prior Published in Connotations Vol. 3.3 (1993/94) The anonymous play The Raigne of King Edward the Third was entered in the Stationers’ Register on 1 December 1595 and first published in the following year.68) It owes what […]
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