Articles in this issue

• "Thy words do finde me out": Reading the Last Line of "Affliction (I)"
  Inge Leimberg, and [else], Vol. 24: 1-16

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• An Order Honored in the Breach: An Answer to Dennis Pahl
  Hannes Bergthaller, and [else], Vol. 24: 17-21

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• A Note on Sir Philip Sidney's Art of Blending
  Arthur F. Kinney, and [else], Vol. 24: 22-26

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• Adopting Styles, Inserting Selves: Nabokov's Pale Fire
  Maurice Charney, and [else], Vol. 24: 27-40

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• "A Chorus Line": Margaret Atwood’s Penelopiad at the Crossroads of Narrative, Poetic and Dramatic Genres
  Susanne Jung, and [else], Vol. 24: 41-62

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• Mucedorus and Counsel from Q1 to Q3
  Kreg Segall, and [else], Vol. 24: 63-87

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• Milton’s Astronomy and the Seasons of Paradise: Queries Motivated by Alastair Fowler’s Views¹⁾
  Horace Jeffrey Hodges, and [else], Vol. 24: 88-104

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• "Never Built at All, and Therefore Built Forever": Camelot and the World of P. G. Wodehouse
  Jay Ruud, and [else], Vol. 24: 105-21

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• Apropos of Geoffrey Household’s Watcher in the Shadows and Dance of the Dwarfs: An Answer to David Seed
  Robert Lance Snyder, and [else], Vol. 24: 122-28

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• Playing with the Ready-Made: Graham Swift’s The Light of Day - A Response to Andrew James
  Catherine Pesso-Miquel, and [else], Vol. 24: 129-42

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• "I was back in a dark wood": Don Paterson's "The Forest of the Suicides"
  Elisa Segnini, Elizabeth Jones and [else] and Elizabeth Jones, Vol. 24: 143-68

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