by Francesca Pierini (Asian University for Women, Chittagong, Bangladesh) Elizabeth von Arnim’s The Pastor’s Wife was published in 1914 to sustained critical approval. According to von Arnim herself, it was the “least bad” of her novels (Turner 57). As was the case for most of her literary works, however, The […]
by Angelika Zirker https://www.connotations.de/wp-content/uploads/2023/12/Recording-AZ_CC.mp3 Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he […]
by Laurie Atkinson 2023 marks the bicentenary of the foundation of the Edinburgh Bannatyne Club. Why an antiquarian printing society, dissolved after less than forty years, should warrant commemoration may not immediately be clear. But read on. One illustrious literary founder aside, the club represents a milestone in the transition […]
by Laurie Atkinson The Garlande or Chapelet of Laurell by John Skelton is five hundred years evergreen. In 1523, this remarkable poem about Skelton’s elevation to the court of Fame was published in London by Richard Faques. Mostly the preserve of early modern scholars, Skelton is best known as the […]
by Angelika Zirker On Thursday, December 23, 1897, Lewis Carroll (who was called Charles Lutwidge Dodgson in his professional life as a lecturer at Christ Church College in Oxford) wrote in his diary: I start for Guildford by the 2.07 today. It would be his last journey from Oxford […]
by Sara Rogalski Extract from The Changeling, Act 4, Scene 2 https://www.connotations.de/wp-content/uploads/2022/12/Extract-from-The-Changeling-Act-4-Scene-2.mp3 In The Literary Encyclopedia, Anja Mueller-Wood speaks of “principles of change and replacement” as being “central” to The Changeling, a play first performed in 1622, and collaboratively written by Thomas Middleton and William Rowley. There is, […]
by Francesca Pierini The notion of Italy as a country relatively free of class constraints and stark social divisions – a space appropriate for returning to unaffected behaviour, sensual openness, and existential re-invention – is part of a composite constellation of counter-values to British standards and ideals that have been […]
by Anna Budziak “A Prince of Court Painters,” a story about the painter Antoine Watteau, was composed when Pater had already known the taste of fame and the sting of criticism. Although he wished it to be published unsigned, it appeared, in October 1885, in Macmillan’s Magazine, with his name […]
by Sophie Franklin On the first page of Jeanette Winterson’s Written on the Body, which was first published thirty years ago this month, the nameless narrator declares: ‘Love demands expression’ (1993, 9). The proceeding narrative (Winterson does not like to call her books ‘novels’) then seeks to deconstruct the clichés […]
by Angelika Zirker While much was made of the 450th anniversary of William Shakespeare’s birth (in 2014), John Donne’s 450th birthday remains a little in the shadows. And yet Shakespeare’s near-contemporary is one of the major poets of the period, and one of the most prominent metaphysical poets at that. […]
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.AcceptRead More
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.